Rachael Murphy, Exhibition Project Curator, British Museum
There should always be controversy in the air surrounding artists and makers, museums and objects and culture… It is this that keeps museums alive and relevant, part of an on-going dialogue and questioning as the past and the present collide and coalesce like a walk in wardrobe of old, deep memories and sparkling new acquisitions.
There is no need for me to explain the importance of the contemporary art in the BP exhibition Indigenous Australia: enduring civilisation when Judy Watson, who has two prints on display in the show (2015,2004.3 and 2015,2004.4), does it so eloquently. The exhibition showcases some of the most striking work to come out of Australia in the last five years, as well as the breadth and diversity of art forms, from an installation by Tasmanian artist Julie Gough to a…
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